“He thinks he’s really going to make it, that the dream is just around the corner. “Mikey has these delusions of grandeur,” Simon Rex, the actor who plays the character, told me. Mikey, too, seems keen on ignoring his downbeat surroundings and remains almost manically upbeat, regardless of his lived reality. In this context, Hillary Clinton’s professed “boundless confidence in America’s promise” sounds as disconnected from reality as Trump’s paranoid ravings about the election being rigged. (They are dependable customers, he is told, since “at the end of their shift . . . they want to kill themselves,” and need something to take the edge off.) In the course of the movie, we hear sound bites from the two candidates, whose speeches drone, like background noise, on the television in Lexi and Lil’s grubby living room. The film is set in the lead-up to the 2016 Presidential election, and Texas City is depicted as a run-down, economically depressed place that is kept going, if barely, by the churning refineries of Big Oil, whose workers Mikey sells marijuana to. “Your last job listed is from over seventeen years ago,” a potential employer notes, when Mikey applies for a menial job, and is less than impressed when Mikey explains that he is, in fact, an adult-film actor.
SIMON REX SEXUALITY LICENSE
(“I just need a place to crash for a couple of days!”) Searching for work, he cycles around town on a girl’s bike, like Homer when he loses his driver’s license on “ The Simpsons” and has to ride Lisa’s undersized pink two-wheeler to the power plant. But the indignities have only just begun: his estranged wife, Lexi (the great Bree Elrod), and her mother, Lil (Brenda Deiss), are not exactly happy to see him when he appears on the doorstep of their tumbledown house, begging to be let in. Mikey’s return, he hopes, will give him a chance to act as if the indignities of the past decade and a half hadn’t happened at all. “Red Rocket” has a trace of “Rip Van Winkle” to it. Later, he says, “With my skill and ability . . . there’s no denying what I can do!” “Almost every single girl I did a scene with started fucking me off camera,” he boasts. 1 motormouthed hustler of reality television, Jax Taylor, from Bravo’s “ Vanderpump Rules.”) He obsessively dwells on his past achievements: he has won five Adult Video News Awards-“Best oral three years in a row,” he says-and seems convinced that his once successful porn career is evidence of a still bright future ahead.
SIMON REX SEXUALITY MOVIE
(After watching the movie a couple of times, I suddenly realized that the figure he most reminded me of was the No. He has been run out of Los Angeles, where he was working in the adult-entertainment industry, and is making his way back to his home town, Texas City, Texas, on the Gulf Coast.Ī fast-talking scammer whose corny niceties are as well-worn as his good looks, Mikey is still convincing as a hunk, if only you don’t look too closely. When we first meet him, he is on a cross-country bus, with nothing more than twenty-two dollars in the pocket of his stonewashed skinny jeans. The man is Mikey Saber, a washed-up, middle-aged porn star, and the protagonist of Sean Baker’s excellent new film, “ Red Rocket.” Mikey’s naked dash comes late in the movie, but from the get-go we can sense that his character is something of an escape artist. And, although one can’t help but notice that he has an unusually large penis, this conventional signifier of virility can only dingle-dangle helplessly, bobbing rhythmically as he tears down the road. He is fleeing, totally nude, his eyes wide with panic. It’s the middle of the night, and a man is running down a deserted street, to the tune of ’NSync’s 2000 hit “Bye Bye Bye.” The song’s bombastic, driving beat gives its melancholy breakup lyrics some urgency: “I know that I can’t take no more / It ain’t no lie / I wanna see you out that door / Baby, bye bye bye.” This particular man, however, has clearly been tossed out of someone’s door, rather than the other way around.
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